Deliverance Short Film
An affected man is influenced by love and desire.
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Veritas Animation School Graduation Short Film.
DELIVERANCE is my graduation short film for my BA in Digital Animation. It is a 3D animated short film complemented by 2D, influenced by themes such as love, romantic life, desire and the idealization of the couple.
"Stepped Animation" is used to show rough animation and avoid natural movement, animation in "2s" reveals the character's conflict with reality.
Around 130 objects were modeled using low polygon technique.
Three stages of the life cycle of a star were used, through the texture on the character's chest to contribute to the narrative of the project.
David Fincher's work is used as a film reference, supported by the use of aspect ratio as psychological intention.
The project explores how love influences everyday life, based on the socially established concept of how romantic love is necessary for happiness. Idealization and desire influence
in the character's actions, ruining the love opportunity magically presented to him.
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Directed by: Greivin Fernández.
Contact: greifernandez@outlook.com
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Sound Design by: Johnnatan Arce
in collaboration with:
Jocsan González "Airglow" Music Theme.
Adriana Garcia Girl Voices.
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2D Extra Animation collaboration by:
Pamela Rojas.
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Music:
-Permission granted for non commercial use-
Song "Deliverance";
Written by RY Cuming / Joacim Bo Persson / Johan Carl Axel Alkenas;
Performed by Ry X;
Courtesy of Leon Alexander, Red Light Management.
Deliverance Short Film
Teaser Trailer.
Video Presentation.
3D Scene.
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Poster.
(Pre-Production) Art Direction for Characters and Chest Animated Texture Representing Emotions by Stars Phases.
(Pre-Production) Art Direction for Scenes: Bathroom, Bedroom, Kitchen and Magic Ambient.
(Pre-Production) Art Direction for Props, Symbols and Plants.
(Pre-Production) Character Design.
(Pre-Production) Character Design.
(Pre-Production) -Bok- Main Character.
(Pre-Production) -Bok- Main Character.
(Pre-Production) -Bok-Main Character.
(Pre-Production) -Bok-Main Character.
(Pre-Production) -Bok- Main Character.
(Pre-Production) Studies Done for Bok Character.
(Pre-Production) -Nova- Secondary Character.
(Pre-Production) -Nova- Secondary Character.
(Pre-Production) -Nova- Secondary Character.
(Pre-Production) -Nova- Secondary Character.
(Pre-Production) -Nova- Secondary Character.
(Pre-Production) Studies Done for Nova Character.
(Pre-Production) "L.O.V.E." Spaceship Main Prop. Sketches Made in Class.
(Pre-Production) "L.O.V.E." Spaceship Main Prop. Other Studies.
(Pre-Production) Bok´s Apartment Floor Plan.
(Pre-Production) Magic Plants Design.
(Pre-Production) Storyboard.
(Production) -Bok- 3D Character Modeling.
(Production) -Nova- 3D Character Modeling.
(Production) 3D L.O.V.E. Spaceship.
(Production) 3D Models for Props and Scene.
(Production) Bok Textures.
(Production) Nova Textures.
(Production) L.O.V.E. Spaceship Textures.
(Production) Tuna and Sugar Can Textures.
(Production) French Press, Refrigerator, Salt Shaker and Dishes Textures.
(Production) Magic Props Textures.
(Production) Plants Textures.
(Production) Magic Plants Textures.
(Production) Kitchen First Render Test.
(Production) Bathroom First Render Test.
(Production) Kitchen Tile Wall Texture created in Substance Designer.
(Production) Apartment Brick Wall Texture created in Substance Designer.
(Production) Basic Shader example for Ceiling Fan Prop.
(Production) Complex Shader example for Kitchen Wall.
(Production) Lighting Rig for the Apartment.
(Production) 3D Layout.
(Production) 3D Animation Playblast Example.
(Production) Animation with Stepped Mode Technique for Body Arms. Remaining Body Animated in Spline or Automatic Technique.
(Production) Example of Animation under 2s Technique. Bok Animated every 2 frames. Remaining Objects at Frame by Frame standart Animation Method.
(Production) Magic Door 2D Animated Texture Example.
(Post-Production) Montage. Left: Full Project. Right: A Example for Each Shot.
(Post-Production) Compositing using all AOVs.
(Post-Production) Compositing Breakdown.
(Post-Production) General Treatment Compositing. Left: Raw Render. Middle: Different Opacity Values Applied for each AOV. Right: After Treatment Adjustments.
(Post-Production) Detailed Compositing for Exterior Light AOV, using Diffuse Albedo as Divide Mode to not Affect Textures.
(Post-Production) Treatment Adjusments for AOVs. Up: Indirect Light. Middle: Flat AOV. Down: Ambient Occlusion.
(Post-Production) Glow Treatment Adjusments.
(Post-Production) Up: Flat Treatment Adjustments. Down: Camera Lens Blur Treatment Adjustments.
(Post-Production) Final Adjustments with Colorista IV.
(Post-Production) Final Adjustments with Colorista IV.
(Post-Production) Color Script.
(Post-Production) Venetian Blinds Visual Effect to Dissolve and Mix the Scene.
(Post-Production) Directional Blur effect for the Star to mix it with the Character.
(Post-Production) Cinematography. Objects enclosing the character to contribute to film psychology.
(Post-Production) Cinematography. Aspect Ratio as a Psychological Purpose.
(Post-Production) Cinematography. Aspect Ratio as a Psychological Purpose.
(Post-Production) Cinematography. Slow Camera Movements, use of Shadows and Lights with Emotional Intention.
(Post-Production) Conceptual Narrative Design. Title: Represents the Affected Feeling.Introduction: Loneliness. Bridge: Tranquility to Break Emotionally. Turn: Unexpected Magic Event. Life: Love, Idealization and Desire.